太牛吉列姆属于是得了梅里爱真传创造一个假作真时真亦假的世界narrative, make-believe, crisis management, and hope are organized along the bodily/imaginary journey across fantastical places. theatrical expertise facilitates fantastical worldbuilding.
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“I am the orphan who won the lottery”. 意念决定当下可见的世界如果说人的恐惧来自缺失那战胜孤独和死亡的恐惧双胞胎(H)互攻就是活在当下的爱和陪伴中The revival of extentialism, being in being rather than reaching anywhere, is what we have shared in current post pandemic and post war II.